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« µÍº #1170 àÁ×èÍ: ¾ÄÉÀÒ¤Á 18, 2008, 01:14:06 pm »

ตอบคุณคนมองหนัง

ถ้าหากไม่มีฉากผีใน “อรหันต์ซัมเมอร์” (B+) แล้ว ดิฉันอาจจะชอบหนังเรื่องนี้เพียงแค่ B- ค่ะ ดิฉันรู้สึกว่าฉากผีในอรหันต์ซัมเมอร์เป็นสิ่งที่คาดไม่ถึงมากๆ ไม่รู้ว่ามันมาได้ยังไง แต่ก็ชอบมันมากๆ ดิฉันรู้สึกว่าส่วนอื่นๆของหนังค่อนข้างน่าเบื่อสำหรับดิฉัน ยกเว้นพระที่หล่อดี และฉากผี นอกจากนี้ แนวคิดในการกำจัดผีในหนังเรื่องนี้ก็ให้คติสอนใจกับดิฉัน เพราะดิฉันมักจะมีความทุกข์เพราะยึดติดกับหลายสิ่งหลายอย่างที่ไม่มีความจำเป็นกับชีวิต ซึ่ง “การสูญเสียสิ่งต่างๆ” เหล่านี้ไม่ใช่เหตุแห่งทุกข์ที่แท้จริง และการดับทุกข์ก็ไม่ใช่การพยายามเอาของที่สูญเสียไปกลับคืนมา การดับทุกข์ที่แท้จริงคือการเลิกยึดติดกับสิ่งที่ไม่จำเป็น ต่างหาก


ตอบน้อง merveillesxx

พี่ไม่มีความรู้เรื่องอิสราเอล/ปาเลสไตน์เลยค่ะ แค่เห็นข่าวผ่านๆตาว่ามีงานฉลองครบรอบ 60 ปีเท่านั้นเอง

ถ้าเข้าใจไม่ผิด วันที่ 15 พ.ค.ของทุกปีถือเป็นวัน NAKBA (catastrophe) ของปาเลสไตน์ ลองอ่านรายละเอียดดูได้จาก WIKIPEDIA
http://en.wikipedia.org/wiki/Nakba_Day

“Nakba Day (15 May) meaning "day of the catastrophe" is an annual day of commemoration for the Palestinian people of the "anniversary of the creation of Israel” which marks the beginning of the 1948 Palestinian exodus, the resulting defeat in the 1948 Arab-Israeli War, the loss of land that followed from the war and their displacement and dispossession as a result. While for Israelis, the 1948 war gave them independence and this day represents the "fulfilment of a historic ideal of the Jewish people" to establish a homeland for the Jewish people, for Palestinians, the day represents "the dispossession of hundreds of thousands of their people who were made homeless as Israel was born.” The Events in Palestine during the British mandate prior to Israel's declaration of independence, as well as the 1948 Arab-Israeli War that erupted following the invasion by neighbouring Arab states, resulted in the flight or expulsion of an estimated 700,000 Palestinian refugees, and the destruction and abandonment of up to 418 Palestinian villages. Palestinian Arabs call these events al-Nakba ("the catastrophe").”



This is a piece of news about this event:
http://www.jeffersoncorner.com/jewish-voice-for-peace-should-also-meet-a-palestinian-voice-for-peace/#more-369

“Palestinians mourn loss of homeland sixty years on

By Alistair Lyon, Special Correspondent Reuters

Wednesday, May 7, 2008

While Israel celebrates its 60th birthday, Palestinian refugees mourn the 1948 Nakba (catastrophe) when they lost their homeland. Often ignored in Middle East peace talks, they cling to a “right of return”.

Alia Shabati was 12 when she fled Jewish attacks on her village of Kabri, captured a few days after Israel’s creation.

Now a matron of 72, wearing a flowery blue dress and white headscarf, her memories of Kabri in today’s northern Israel are vividly intact, unlike the village, which was wiped off the map.

“We had houses and land,” Shabati said in the living room of her modest dwelling in the alleys of Beirut’s Burj al-Barajneh refugee camp. “We had olives, grapes, prickly pears and dates. We had orchards and fields. Now what do we have? Nothing.”

Her life story encapsulates the bitterness of dispossession and exile familiar to about 4.5 million Palestinian refugees and their descendants in squalid camps in Lebanon, Syria, Jordan and the occupied West Bank and Gaza, or in a wider diaspora.

For Shabati, who has lost three of her 11 children, her tale is unique. “What I tasted, no one has tasted,” she said.

Her father was killed by British forces during a Palestinian revolt in 1936, shortly after she was born.

Twelve years later, she fled Kabri with her mother, brother and grandmother, along with other women and children, after an attack by Jewish Haganah forces. Her uncle and several other relatives who stayed behind were among those killed.

Shabati recalls walking exhausted from one village to another, finding safety nowhere, until the Kabri survivors crossed the border into Lebanon and were taken to Syria.

ETHNIC CLEANSING?

The fate of Kabri was part of what Palestinians — and some Israeli scholars — say was systematic ethnic cleansing ordered by Zionist leaders to clear the way for the Jewish state.

Israel rejects this, saying the refugee problem resulted from a war launched by Palestinians opposed to the U.N. partition plan adopted on November 29, 1947, and by Arab states which invaded as soon as the British Mandate expired on May 15, 1948.

The upshot was that of the nearly 1.4 million Arabs who lived in Palestine in 1947 more than 700,000 had been displaced from their homes by 1949, according to a consensus view.

 Before fighting began in late 1947, about a million Arabs and 600,000 Jews lived in what was to become Israel. Israel emerged with 78 percent of Mandate Palestine. The U.N. plan, rejected by the Arabs, would have given it 56 percent.

At 12, Shabati may have only dimly grasped the conflict over her homeland, but she soon felt what it was to be a refugee.

Among the hardships and humiliations along the way, she remembers how some Syrian villagers began picking brides from her bedraggled group, until a policeman scolded them for abusing their guests. “We felt as if knives were striking us,” she said.

After seven years in a refugee camp in Syria, Shabati got married and came to Burj al-Barajneh, on the edge of Beirut, where she raised a family with her husband, a yoghurt vendor.

Their 23-year-old son Mohammed was killed fighting Israeli troops who invaded Lebanon to drive out PLO guerrillas in 1982. His brother Ali, 24, was killed in 1985 when Lebanese Shi’ite Amal militiamen assaulted Palestinian camps in Beirut.

Shabati dreams of going back to Kabri, even if she had to live in a tent again. “I’d walk, as long as I could return,” she said, scorning a query on whether she would consider moving to an eventual Palestinian state in the West Bank and Gaza Strip.

LEBANESE RESTRICTIONS

Palestinians are treated worse in Lebanon than other Arab countries such as Jordan, where they have full citizenship, and Syria, where they enjoy civil but not political rights.

“They have had a particular history of subjection to violence and massacre, and of marginalization and exclusion by the Lebanese authorities through legal and other means,” said Yezid Sayigh, a Palestinian scholar at Cambridge University.

Shabati’s 35-year-old son Idriss said Lebanese laws that bar Palestinians from 70 professions had hit a raw nerve after he realized his son could not hope to become a lawyer or a doctor.

“You can’t live your life as a citizen here,” he complained.

Lebanese restrictions on refugees, slightly eased by the current government of Prime Minister Fouad Siniora, were designed to deter the mainly Sunni Muslim Palestinians from settling permanently and upsetting Lebanon’s sectarian balance.

Israel firmly opposes letting any refugees return to their original homes, on the grounds that this would effectively destroy the Jewish state by threatening its Jewish majority.

The PLO has accepted the conciliatory wording of an Arab League peace plan calling for a “just and agreed solution” in line with a U.N. resolution proposing return or compensation for refugees willing to live at peace with their neighbours.

“At the end of the day, everything is negotiable,” said Basel Aql, a founder of the Palestine Liberation Organization and former adviser to the late PLO leader Yasser Arafat.

Aql, whose family fled the coastal city of Jaffa in 1948, acknowledged that refugee interests had not been fully taken into account — “not because we willingly gave up our right to return, but the balance of power was such that the question of refugees did not have priority on any of the agendas”.


WISHES IGNORED

Refugees have rarely been consulted about their wishes and have had little say in Israeli-Palestinian peace talks over the past 15 years aiming for a two-state solution, Sayigh said.

“The tendency is to regard them as an actual or potential obstacle to peace,” he said, adding that this attitude was not confined to Israel or its staunch ally, the United States.

“A chunk of the Palestinian leadership has also treated them as potential trouble-makers, who might wreck a peace deal.”

For now a final peace agreement seems remote, but many Palestinians yearn for some Israeli admission of responsibility for what they see as the historic injustice done to them.

“You need to acknowledge what happened in 1948,” said Reem Kelani, a British-based singer who has recorded many traditional Palestinian songs. “If you don’t want to apologize, just acknowledge it, and then just maybe we could start something.”

Palestinians in the camps or the diaspora should mark this month’s anniversary by reaffirming their identity, she said. “To me, it’s celebrating the Palestinian cultural narrative before, during and after 1948. It’s not just about victimhood.”

In recent years, camp conditions have worsened everywhere as UNRWA, the cash-strapped agency that helps Palestinian refugees, becomes less able to provide adequate health and education.

“Palestinian refugees now, more than at any time in the last 60 years, face a serious decline in services,” said Sayigh.

“They are going to become once again the most vulnerable community by every indicator,” the Palestinian academic added. “We are looking at the re-emergence of a true under-class.”

(Edited by Sara Ledwith)”



Favorite films about Palestine/Israel

1.THE ACCORD (2005, Beatrice Guelpa, Nicolas Wadimoff)

2.THE BARBECUE PEOPLE (2003, Yossi Madmoni, David Ofek)

3.DIRTY PICTURES (2007, John Smith, UK)

4.DIVINE INTERVENTION (2002, Elia Suleiman)

5.FORD TRANSIT (2002, Hany Abu-Assad)

6.THE INNER TOUR (2001, Ra’anan Alexandrowicz)

7.A SLIM PEACE (2007, Yael Luttwak, UK)

8.OUT OF PLACE: MEMORIES OF EDWARD SAID (2005, Makoto Sato)

9.PRIVATE (2004, Saverio Costanzo)

10.WEDDING IN GALILEE (1987, Michael Khleifi)

11.A WEDDING IN RAMALLAH (2002, Sherine Salama)
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MOST FAV FILMS OF JUNE 2009 -- THE FEAST (Mimmo Calopresti), PLAYING THE VICTIM (Kirill Serebrennikov), CERTIFIABLY JONATHAN (Jim Pasternak), BLIND PIG WHO WANTS TO FLY (Edwin), CAPTAIN AHAB (Philippe Ramos)
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« µÍº #1171 àÁ×èÍ: ¾ÄÉÀÒ¤Á 19, 2008, 02:54:00 am »

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¤Ò¹¹Êì¡Ñº May 68

http://www.prachatai.com/05web/th/home/12181

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« µÍº #1172 àÁ×èÍ: ¾ÄÉÀÒ¤Á 19, 2008, 04:11:12 am »

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« µÍº #1173 àÁ×èÍ: ¾ÄÉÀÒ¤Á 19, 2008, 12:43:42 pm »

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« µÍº #1174 àÁ×èÍ: ¾ÄÉÀÒ¤Á 19, 2008, 04:40:52 pm »

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« µÍº #1179 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 10:38:05 am »

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« µÍº #1180 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 10:38:44 am »

µÍº¤Ø³ Madeleine ¤ÃѺ


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¾Í¼ÁÅͧ令é¹à¡ÕèÂǡѺ ¶Ö§ä´éÃÙéÇèÒ Lydia Kavina à¸Íà»ç¹ËÅÒ¹¢Í§ Leon Theremin ¼Ùé·Õè»ÃдÔɰìà¤Ã×èͧ´¹µÃÕª¹Ô´¹Õé¢Öé¹ÁÒ¹Ñè¹àͧ ¹Í¡¨Ò¡à¸Í¨Ðà»ç¹¤¹·ÕèÊÇÂÁÒ¡æáÅéÇ ¤ÇÒÁÊÒÁÒö㹡ÒÃàÅè¹ theremin  ¢Í§à¸Í¡çÂѧÂÍ´àÂÕèÂÁÍÕ¡´éǤÃѺ 㹤ÅÔ¾¹Ñé¹à¸ÍàÅè¹à¾Å§¢Í§ Debussy ¹Ñºä´éÇèÒà»ç¹à¤Ã×èͧ´¹µÃÕ·ÕèàËÁÒСѺ´¹µÃբͧ¹Ñ¡»Ãоѹ¸ì·èÒ¹¹Õéà»ç¹ÍÂèÒ§ÂÔè§àŤÃѺ ¨Óä´éÇèÒ¼Áà¤ÂÍèÒ¹à¨ÍÇèÒ·èÒ¹à¤Â¾Ù´¶Ö§¢éͺ¡¾Ãèͧ¢Í§à¤Ã×èͧ´¹µÃÕÍÂèÒ§à»ÕÂâ¹·Õè¡ÒÃÊÃéÒ§àÊÕ§µéͧ¼èÒ¹¡Ãкǹ¡Ò÷Õèà»ç¹áºº¡Åä¡ áÅзèÒ¹¡çà¤Â¡ÅèÒǶ֧à¤Ã×èͧ´¹µÃÕã¹ÍØ´Á¤µÔ·ÕèÊÒÁÒöà»ç¹áËÅè§¡Óà¹Ô´¢Í§àÊÕ§ä´éâ´ÂµÃ§ äÁèµéͧ¼èÒ¹ªÑ鹵͹·Ò§¡ÅÈÒʵÃì ·Õèä¡Åéà¤Õ§·ÕèÊØ´·Õèä´éàËç¹ã¹ªÕÇÔµ¢Í§·èÒ¹¡ç¤×Íà¤Ã×èͧ´¹µÃբͧǧ¡ÒàÁÅÒ¹¨Ò¡ÍԹⴹÕà«Õ áµè¼ÁÇèÒ¶éÒ·èÒ¹ÍÂÙè¹Ò¹¾Í¨Ðä´éàËç¹à¤Ã×èͧ´¹µÃÕÍÂèÒ§ theremin   ·Õè¡ÒÃà¤Å×è͹äËǢͧÃèÒ§¡Ò¼èҹʹÒÁáÁèàËÅç¡ä¿¿éÒÊÒÁÒöÊÃéÒ§àÊÕ§·ÕèÊÑÁ¾Ñ¹¸ì¡Ñº¤ÇÒÁà¤Å×è͹äËǹÑé¹ä´é·Ñ¹·Õ ·èÒ¹ÍÒ¨¨ÐàËç¹ÇèÒà¤Ã×èͧ´¹µÃÕÍÂèÒ§¹ÕéÁÕ¤ÇÒÁã¡Åéà¤Õ§¡Ñºà¤Ã×èͧ´¹µÃÕã¹ÍØ´Á¤µÔÁÒ¡·ÕèÊØ´¡çä´é¹Ð¤ÃѺ

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« µÍº #1181 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 10:39:43 am »

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ÊÁÑ·ÕèÂѧàÃÕ¹ÍÂÙè·Õè Juilliard à¢Ò¡çà¤Â¾ÂÒÂÒÁÊÃéÒ§§Ò¹´¹µÃÕ´éÇ¡ÒÃ¢ÅØ¡ÍÂÙèã¹ÊµÔÇ´Ôâͧ͢âçàÃÕ¹㹪èǧ¡ÅÒ§¤×¹ ¨¹àÁ×èÍà¢Òä´é¾º¡Ñº Morgan Geist «Öè§¡ÓÅѧÍÍ¡¼Å§Ò¹ÀÒÂãµéª×èÍ Metro Area ¡Ñº¤ÙèËÙ Darshan Jesrani  «Öè§¡ÓÅѧµéͧ¡ÒÃà¾ÔèÁàÊÕ§¾Ç¡à¤Ã×èͧÊÒÂà¢éÒä»ã¹§Ò¹´¹µÃբͧ¾Ç¡à¢Ò Kelley ¨Ö§ä´éà¢éÒ仪èÇÂàÃÕºàÃÕ§àÊÕ§´¹µÃÕ¨Ò¡à¤Ã×èͧÊÒÂã¹à¾Å§ "Miura", "The Art of Hot" áÅÐ "Caught Up ¡è͹·Õè¨Ðä´éÍÍ¡¼Å§Ò¹ÍվբͧµÑÇàͧÀÒÂãµéª×èÍ The Kelley Polar Quartet ¡Ñº¤èÒ environ ·Õè Morgan Geist à»ç¹à¨éҢͧ áÅÐÍÑźÑéÁáá¢Í§à¢Ò Love Songs of the Hanging Gardens ¡çÍÍ¡ÁÒã¹»Õ 2005 㹪×èÍ Kelley Polar ã¹»Õ 2008 ¹ÕéÍÑźÑéÁªØ´ÅèÒÊØ´¢Í§à¢Ò I Need You To Hold On While The Sky Is Falling ¡çà¾Ôè§ÍÍ¡ÁÒàÁ×èÍà´×͹ÁÕ¹Ò¤Á¹Õéàͧ¤ÃѺ


mike in mono
http://www.myspace.com/monoinmike

à¾Å§¢Í§ mike in mono ÍÂÙèã¹ÃÒª×èÍà¾Å§·Õèà»Ô´ã¹ÃÒ¡Òà Freak Zone àÁ×èÍÇѹÍÒ·ÔµÂì·Õè¼èÒ¹ÁÒ¹Õéàͧ¤ÃѺ à¾Å§·ÕèÍÂÙèã¹ MySpace ¼Á¨ÐªÍº«ÒÇ´ì¢Í§ "southwold jack" ¡Ñº "Binary" ¤ÃѺàÊÕ§·ÕèÍÍ¡ÁÒ¨Ðà»ç¹àÊÕ§ẺâÅÇìä¿áµèÁÕ·èǧ·Ó¹Í§·Õèä¾àÃÒШÃÔ§æ¤ÃѺ áÅйÕè¡çà»ç¹ÈÔŻԹÍÕ¡ÃÒÂ˹Öè§·ÕèäÁè¤èͨÐÁÕ¢éÍÁÙÅà¡ÕèÂǡѺµÑÇà¢ÒÍÍ¡ÁÒãËé·ÃÒº¡Ñ¹àŤÃѺ ·ÃÒºà¾Õ§áµèÇèÒ mike in mono à»ç¹â«âÅâ»Ãਤ·ì¢Í§ Mike Johnston (Plone, ZX Spectrum Orchestra, Modified Toy Orchestra) ¼Å§Ò¹·ÕèÍÍ¡ÁÑ¡¨ÐÍÂÙèã¹ÃÙ»«Ô§à¡ÔéšѺÍÕ¾Õ â´Â "Mashed Up" ¨Ðà»ç¹«Ô§à¡ÔéÅ·Õèà»ç¹·ÕèÃÙé¨Ñ¡ÁÒ¡·ÕèÊØ´¤ÃѺ
ºÑ¹·Ö¡¡ÒÃà¢éÒ

I'm a proud snob.
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« µÍº #1182 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 10:40:43 am »

paavoharju
http://www.myspace.com/paavoharju

ǧ¢Í§¾Ç¡äÇ¡Ôé§ÍÕ¡áÅéǤÃѺ ¤ÃÒǹÕéÁÒ¨Ò¡àÁ×ͧ Savonlinna 㹿ԹᏴì¤ÃѺ áÅСçÂѧà»ç¹Íաǧ˹Öè§·ÕèäÁè¤èÍÂÁÕ¢éÍÁÙŢͧ·Ò§Ç§ÍÍ¡ÁÒãËéä´éÃѺÃÙéÁÒ¡¹Ñ¡ ¢éÍÁÙÅ·Õèà»ç¹ÀÒÉÒÍѧ¡ÄÉà·èÒ·Õèà¨Í¡çä´éÁÒ¨Ò¡àÇçºä«·ì http://www.archive.org/details/mia061 ·Õèà´ÕÂÇà·èÒ¹Ñé¹àͧ¤ÃѺ

ã¹ÅÔ駤ì¹Ñ鹺͡ÇèÒ ´¹µÃբͧ¾Ç¡à¢Ò¨ÐÍ͡价ҧ psych folk áµèà·èÒ·Õè¼Áä´é¿Ñ§ã¹ MySpace ºÃÃÂÒ¡ÒÈã¹ÀÒ¤´¹µÃբͧ¾Ç¡à¢Ò¨Ð¤ÅéÒ¡Ѻ´¹µÃÕ·´ÅͧÁÒ¡¡ÇèÒ ºÒ§à¾Å§¨ÐÍ͡价ҧ Avant-garde ´éÇ«éÓ áÁéÇèÒǧ´¹µÃÕ¨Ò¡¿Ô¹áŹ´ìÊèǹãË­è¨Ðà¹é¹ä»·Õè´¹µÃÕ·ÕèäÁèâ¤Ã§ÊÃéҧẺà»Ô´ áÅÐËÅÕ¡àÅÕè§´¹µÃÕ·ÕèÁÕ¡ÒÃàÃÕºàÃÕ§·èǧ·Ó¹Í§áººàªÔ§àÊé¹ áµèâ¤Ã§ÊÃéÒ§´¹µÃÕ·Ñé§ËÁ´¢Í§ paavoharju ¡çÂѧ¤§äÇé«Öè§·èǧ·Ó¹Í§Íѹä¾àÃÒÐã¹áºº´Ñé§à´ÔÁ ¢Ñºà¤Å×è͹â´ÂàÊÕ§¹Ñ¡Ãéͧ¹Ó áÅФÇÒÁà»ç¹â¿Å졡礧¨ÐÍÂÙè·ÕèàÊÕ§Ãéͧ¢Í§¹Ñ¡Ãéͧ¹ÓË­Ô§ Jenni Koivistoinen ¹ÕèàͧáËÅФÃѺ à¸ÍÁÕ¹éÓàÊÕ§·Õèãʴѧ¼ÅÖ¡á¡éÇ ÊäµÅì¡ÒÃÃéͧ¢Í§à¸ÍºÒ§¤ÃÑé§¡ç¿Ñ§´Ù¡éͧ¡Ñ§ÇÒ¹ã¹áºº´¹µÃÕ¤ÅÒÊÊÔ¤¡èÍ¹ÂØ¤ºÒâä (¿Ñ§ä´é¨Ò¡à¾Å§·Õèª×èÍ "Kirkonvaki" ¤ÃѺ ) àÊÕ§Ãéͧ¢Í§à¸Í¨Ð·Ó˹éÒ·Õèà»ç¹àËÁ×͹·èǧ·Ó¹Í§ËÅÑ¡ ÊèǹàÊÕ§ã¹ÀÒ¤´¹µÃÕ¨Ðà»ç¹´¹µÃÕ·´ÅͧẺâÅÇìä¿·ÕèáÁéÇèÒ¨ÐäÁè¤èÍ»еԴ»ÐµèÍ áµè¡çÊÃéÒ§ºÃÃÂÒ¡ÒÈÃÒÂÅéÍÁä´éÊÍ´¤Åéͧ¡ÑºÍÒÃÁ³ì¢Í§à¾Å§ä´éà»ç¹ÍÂèÒ§´ÕàŤÃѺ ã¹àÊÕ§´¹µÃբͧ¾Ç¡à¢Ò¨Ðá½§äÇé´éǺÃÃÂÒ¡ÒÈáË觤ÇÒÁÅÖ¡ÅѺáµè¡çâÃáÁ¹µÔ¤ä´éã¹àÇÅÒà´ÕÂǡѹ´éǤÃѺ


The Faint
http://www.myspace.com/thefaint

ǧ¹ÕéÁҨҡ๺ÃÒÊ¡éÒ¤ÃѺ ´¹µÃբͧ¾Ç¡à¢Ò¨ÐÍ͡价ҧÍÔàŤâ·Ã¾Ñ§¤ì ÁÕ¤ÇÒÁáçáÅеç仵çÁÒã¹áºº¾Ñ§¤ì á·Ã¡´éÇÂàÊÕ§Êѧà¤ÃÒÐËì·ÕèàÅè¹ÍÍ¡ÁÒ´éÇÂÊäµÅì·Õèà©Õº¤Áã¹áºº´¹µÃÕÍÔàŤâ·Ã¹Ô¤ ¾Ç¡à¢Òà»ç¹·ÕèÃÙé¨Ñ¡¡Ñ¹ÍÂèÒ§á¾ÃèËÅÒÂã¹á¶ºâÍÁÒÎèÒ ºéÒ¹à¡Ô´¢Í§¾Ç¡à¢Ò ÊÁÒªÔ¡´Ñé§à´ÔÁ¢Í§·Ò§Ç§¤×Í Todd Fink , Joel Petersen áÅÐ Clark Baechle µèÒ§¡çàµÔºâµÁÒ´éÇ¡ѹ ¡è͹·Õè¨ÐËѹÁÒʹ㨴¹µÃÕ ¾Ç¡à¢ÒËÁ¡ÁØè¹ÍÂÙè¡Ñº¡ÒÃàÅè¹Êà¡çµºÍÃì´ ¨¹ Todd àÃÔèÁÁջѭËÒ·ÕèËÑÇà¢èÒ ¾Ç¡à¢Ò¡çàÅÂàÃÔèÁູà¢çÁÁÒʹ㨴¹µÃÕá·¹ ËÅѧ¨Ò¡ÍÍ¡á¼è¹«Ô§à¡ÔéÅä»ä´éÊͧÊÒÁá¼è¹ ·Ò§Ç§¡çä´éÊÁÒªÔ¡ãËÁè Matt Bowen à¾ÔèÁà¢éÒÁÒ áÅÐä´éÍÍ¡ÍÑźÑéÁ Media ·Õè·ÓãËé¾Ç¡à¢ÒàÃÔèÁÁÕª×èÍàÊÕ§ã¹ËÁÙè¹Ñ¡¿Ñ§à¾Å§ãµé´Ô¹

ËÅѧ¨Ò¡·Õè Matt Bowen ÅÒÍÍ¡¨Ò¡Ç§ à¢Ò¡ç¶Ù¡á·¹´éÇ Jacob Thiele  «Öè§à»ç¹¼Ùé·ÕèàÃÔèÁ¹ÓàÍÒͧ¤ì»ÃСͺ¢Í§´¹µÃÕã¹áººÍÔàŤâ·Ã¹Ô¤à¢éÒÁÒà»ç¹Êèǹ¼ÊÁãËé¡Ñºá¹Ç´¹µÃբͧ·Ò§Ç§ã¹ÍÑźÑéÁ Blank-Wave Arcade Êè§¼ÅãËéÍÑźÑéÁªØ´¹Õé¡ÅÒÂà»ç¹ÍÑźÑéÁãµé´Ô¹ÂÍ´ÎÔµã¹àÇÅÒ¹Ñé¹ ËÅѧ¨Ò¡¹Ñé¹ ã¹ªèǧ·Õè·ÓÍÑźÑéÁ Danse Macabre ·Ò§Ç§¡çä´é¹Ñ¡¡ÕµÒÃìá¹Çà´¸àÁ¸ÑÅ Dapose ¨Ò¡Ç§ LEAD ÁÒàÊÃÔÁ «Ö觹͡¨Ò¡¨ÐÊ觼ŵèͤÇÒÁÊÓàÃ稷ҧ´éÒ¹ÂÍ´¢ÒÂáÅéÇ ÂѧªèÇ¢ÂÒÂ¡ÅØèÁΌà¾Å§ãËé¡Ñº·Ò§Ç§ä´éÍÕ¡´éÇÂ ã¹»Õ 2004 ·Ò§Ç§ä´éÍÍ¡ÍÑźÑéÁÅèÒÊØ´ã¹ª×èÍ Wet from Birth

¤ÇÒÁà»ç¹¾Ñ§¤ìã¹´¹µÃբͧ¾Ç¡à¢Ò¨ÐÍÂÙèã¹ÃÙ»¢Í§ÍÒÃÁ³ìµ×è¹µÃÐ˹¡·Õá·Ã¡µÑÇÍÂÙèã¹àÊÕ§´¹µÃÕ à»ç¹¤ÇÒÁµ×è¹µÃÐ˹¡àËÁ×͹¡Ñº¼Ùé¿Ñ§µ¡ÍÂÙèã¹Ê¶Ò¹¡Òóì·ÕèÍѹµÃÒÂáÅеéͧá¢è§¡ÑºàÇÅÒ àÊÕ§ÊÙ§æ·Õèá·Ã¡ÁÒà»ç¹ÃÐÂÐæÊÃéÒ§¤ÇÒÁÃÙéÊÖ¡ªÇ¹Ãз֡¨¹ã¨ÊÑè¹ËÇÔÇæàËÁ×͹¨Ðà»ç¹ÅÁä´éºÒ§¤ÃÑé§ ã¹¤ÅÔ¾¢éÒ§ÅèÒ§¹Õé ¼ÁÇèÒ ÀÒ¾¡ÃÒ¿¿Ô¤ã¹â·¹ÊÕ àËÅ×ͧ-ÊéÁ Áѹà¢éҡѺÍÒÃÁ³ìÅØé¹Ãз֡Ẻ¨¹µÃ͡㹴¹µÃբͧ¾Ç¡à¢Òä´é´Õ¨ÃÔ§æ¤ÃѺ
The Faint - Agenda Suicide
http://www.youtube.com/watch?v=T-NbXGjXT4Q
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¡ÃзÙé: 297


« µÍº #1183 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 10:41:49 am »

MGMT
http://www.myspace.com/mgmt

à´ÔÁǧ¨Ò¡ºÃÙê¤ÅԹǧ¹Õéà»ç¹·ÕèÃÙé¨Ñ¡¡Ñ¹ã¹ª×èÍ The Management ËÅÒ·èÒ¹¤§à¤Âä´é¿Ñ§´¹µÃբͧ¾Ç¡à¢ÒÁÒáÅéǹФÃѺ ¹Í¡¨Ò¡ºÃÃÂÒ¡ÒÈ·ÕèÍÍ¡á¹Ç summer of love ã¹á·Ã礷Õèª×èÍ "Youth" áÅéÇ ÁѹÂѧÁÕºÒ§ÍÂèÒ§ã¹à¾Å§ "Pieces of What" ·Õè·ÓãËé¼Áµéͧ¤ÅÔê¡à¢éÒä»ã¹ MySpace ¢Í§¾Ç¡à¢Ò à¾Õ§à¾×èͨпѧà¾Å§¹Õé«éÓ仫éÓÁÒÍÂÙèºèÍÂæ áÁéÇèÒàÊÕ§´¹µÃÕ¨ÐÍÍ¡ÁÒ¤ÅéÒÂæ¡ÑºÇ§ÍÔ¹´ÕéËÅÒÂæÇ§ áÅÐàÊÕ§Ãéͧ·Õè¿Ñ§´Ùà¤é¹ÍÒÃÁ³ìÁҡ仺éÒ§ áµèÁѹ¡çÁÕºÃÃÂÒ¡ÒȪǹàÈÃéÒÊÃéͺҧÍÂèÒ§·Õè¼Á¾Í¨ÐÃÙéÊÖ¡àª×èÍÁâ§ä´é

¼ÁäÁèá¹èã¨ÇèÒ¤ÇÒÁà¢éÒ㨢ͧ¼ÁÁѹµÃ§¡ÑºÊÔè§·Õèà¾Å§µéͧ¡ÒèÐÊ×èÍËÃ×Íà»ÅèÒ áµèà·èÒ·Õè´Ù¨Ò¡à¹×éÍÃéͧ áÅÐÀÒ¾·Õè¢Ö鹵͹·Õè¼Á¤ÅÔ꡿ѧà¾Å§¹Õéã¹ MySpace «Öè§à»ç¹ÀÒ¾¢Í§«Ò¡µÖ¡ËÅѧ¨Ò¡·Õè¶Ù¡·Øº·Ôé§ ÁѹªèÇÂäÁèä´é·Õè¼ÁÃÙéÊÖ¡¨Ø¡àËÁ×͹¶Ù¡ª¡à¢éÒ·Õè·éͧ ·Õèæ¤¹Í×è¹æÍÒ¨¨ÐÁͧÇèÒà»ç¹áËÅè§àÊ×èÍÁâ·ÃÁ àµçÁä»´éǤÇÒÁÊ¡»Ã¡ ÁѹÍÒ¨¨Ðà»ç¹¾×é¹·Õèæà¡çºÀÒ¾ã¹Í´Õµ¢Í§¤¹ËÅÒÂæ¤¹·ÕèàµÔºâµÁÒã¹·ÕèàËÅèÒ¹Ñé¹ à»ç¹ÊÔè§·ÕèàËÅ×ÍÍÂÙèà¾Õ§äÁè¡ÕèÍÂèÒ§·Õè¾Ç¡à¢ÒÍÒ¨¨ÐÊÒÁÒöãªéàª×èÍÁ⧡Ѻ¤ÇÒÁ·Ã§¨Óã¹ÇÑÂàÂÒÇìä´é áÁéÇèÒÁѹÍÒ¨¨ÐäÁèãªé¤ÇÒÁ·Ã§¨Ó·Õè¹èÒÀÒ¤ÀÙÁÔã¨à·èÒ㴹ѡ áµè¤ÇÒÁ·Ã§¨ÓàËÅèÒ¹Ñé¹Áѹ¡çà»ç¹·Ø¡ÊÔè§·Ø¡ÍÂèÒ§·Õè¾Ç¡à¢ÒÃÙé¨Ñ¡ã¹Í´Õµ¢Í§¾Ç¡à¢Ò

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The North Sea
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㹺·¤ÇÒÁ·Õè¼ÁÍèÒ¹ «Öè§à»ç¹º·ÊÑÁÀÒɳì¨Ò¡¹ÔµÂÊÒÃÍ͹äŹì terrascope  ¼ÙéÊÑÁÀÒɳìä´éµÑé§¢éÍÊѧࡵÇèÒ ´¹µÃբͧ The North Sea ÍÒ¨¨Ðä´éÃѺÍÔ·¸Ô¾Å¨Ò¡ Timothy Renner «Öè§¡çà¤ÂÃèÇÁ§Ò¹¡Ñº Brad àªè¹à´ÕÂǡѹ Brad àͧ¡çÂÍÁÃѺÇèÒ§Ò¹¢Í§ Timothy Renner ã¹â»Ãà¨ç¤ÍÂèÒ§ Stone Breath, Moth Masque  áÅЧҹà´ÕèÂÇ ä´éÊÃéÒ§áçºÑ¹´ÒÅã¨ãËé¡Ñºà¢Òã¹ËÅÒÂÃдѺ ¨¹à¢Òàͧ¡çäÁèá¹èã¨àËÁ×͹¡Ñ¹ÇèÒÁѹä´éÊè§â´ÂµÃ§¼ÅµèÍ«ÒÇ´ì¢Í§ The North Sea  ÁÒ¡¢¹Ò´ä˹ «ÒÇ´ìã¹áµèÅÐâ»Ãà¨ç¤·Õèà¢Ò·ÓÍÒ¨¨Ðà»ç¹àÊÁ×͹¡ÑºàÊÕ§·ÕèÊзé͹¨Ô¹µ¹Ò¡Ò÷ҧ´¹µÃբͧà¢Òã¹á§èÁØÁ·ÕèᵡµèÒ§¡Ñ¹ÍÍ¡ä» áµèà¢Ò¡çäÁè¤èÍ¡ѧÇÅÇèÒ¡Ò÷ÓËÅÒÂæâ»Ãà¨ç¤ã¹àÇÅÒà´ÕÂǡѹÍÒ¨¨Ð·ÓãËéà¡Ô´¤ÇÒÁÊѺʹ¨¹ÁÕ¡ÒùӡÃкǹ·ÑȹÐã¹áµèÅÐâ»Ãà¨ç¤ÁÒ»¹¡Ñ¹ à¾ÃÒÐà¢Ò¡Ãкǹ¡ÒÃÊÃéÒ§§Ò¹ã¹áµèÅÐâ»Ãà¨ç¤¡çà»ç¹¡Ãкǹ¡ÒÃà´ÕÂǡѹ·Õè¨Ð·ÓãËéáµèÅÐâ»Ãà¨ç¤à¢éÒÊÙè¡Ãкǹ¡ÒÃÊÃéÒ§ÊÃäì´éǵÑÇÁѹàͧ 
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« µÍº #1185 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 10:43:41 am »

Squarepusher
http://www.myspace.com/akais5000

Squarepusher à»ç¹ª×èÍ·Õèãªé㹡ÒÃÍÍ¡¼Å§Ò¹¢Í§ Tom Jenkinson Íա˹Öè§ÈÔŻԹ·ÕÊÃéÒ§§Ò¹´¹µÃÕËÅØ´âÅ¡¨Ò¡¤èÒ Warp Records «Öè§¢Ö鹪×èÍã¹àÃ×èͧá¹Ç´¹µÃÕàÊÕ§Êѧà¤ÃÒÐËì·ÕèàµçÁä»´éǤÇÒÁá»Å¡»ÃÐËÅÒ´ÍÂÙèáÅéǤÃѺ ÇèҡѹÇèÒ´¹µÃբͧà¢Òà»ç¹´¹µÃÕÍÔàŤâ·Ã¹Ô¤·Õèä´éÃѺÍÔ·¸Ô¾Å¨Ò¡á¨çÊ ¶éÒà»ç¹àªè¹¹Ñé¹Áѹ¡ç¤§¨Ðà»ç¹á¨êÊÍÂèÒ§Í×è¹ä»äÁèä´é¹Í¡¨Ò¡¿ÃÕá¨êÊá¹è¹Í¹¤ÃѺ ´¹µÃբͧà¢ÒàÊÕ§¨ÐÍ͡价ҧ abstract ·Õè tension ¨Ð¤èÍÂæäµèÃдѺ¢Öé¹àÃ×èÍÂæ àÊÕ§µèÒ§æ·Õèà¢éÒÁÒ»¯ÔÊѧÊÃäìã¹´¹µÃÕ´ÙàËÁ×͹¨ÐäÃé·ÔÈ·Ò§ áµè¡çÂѧÁÕºÒ§ÍÂèÒ§·Õèàª×èÍÁâ§àÊÕ§àËÅèÒ¹Ñé¹à¢éÒ´éÇ¡ѹ «ÒÇ´ì·ÕèÍÍ¡ÁÒáÁé¨ÐÂØè§àËÂÔ§áµè¡çÂѧ¨Ñ´ÇèÒà»ç¹àÊÕ§·ÕèÊÐÍÒ´

¼ÁªÍº·Ø¡æà¾Å§·ÕèÍÂÙèã¹ MySapce â´Â੾ÒÐÍÂèÒ§ÂÔè§á·Ã礷Õèª×èÍ "Greenways Trajectory" , "Venus No 17 Acid Mix" ¡Ñº "The Modern Bass Guitar" ¾Í¿Ñ§ä»àÃ×èÍ ºÒ§·ÕàËÁ×͹à»ç¹àÊÕ§¨Ò¡¹Í¡âÅ¡ áµèºÒ§·Õ¡çãËéºÃÃÂÒ¡ÒÈàËÁ×͹ÁËÒ¹¤ÃáËè§Í¹Ò¤µ·Õè·Ø¡ÍÂèÒ§´ÙÇÔ»ÃÔµ¼Ô´à¾×é¹ä»ËÁ´


Matmos
http://www.myspace.com/matmos1

Matmos »ÃСͺ´éǤÙèËÙ¨Ò¡«Ò¹¿ÃÒ¹«ÔÊâ¡ M. C. (Martin) Schmidt ¡Ñº Drew Daniel  à»ç¹á¡¹ËÅÑ¡ ºÒ§¤ÃÑ駨ÐÁչѡ´¹µÃÕÃѺàªÔ­ÍÂèÒ§ J Lesser à¢éÒÁÒÃèÇÁàÅè¹ã¹¤Í¹àÊÔÃì· ã¹»Õ 1998 ¾Ç¡à¢Òà¤ÂÃÕÁÔ¡«ì«Ô§à¡ÔéÅ Alarm Call ¢Í§ Bjork áÅеèÍÁҾǡà¢Ò¡çä´éÃèÇÁ§Ò¹¡Ñºà¸Íã¹ÍÑźÑéÁ Vespertine (2001) áÅÐ Medúlla (2004)  áÅÐã¹à´×͹¸Ñ¹ÇÒ¤Á  2004 ¾Ç¡à¢ÒãªéàÇÅÒ¶Ö§ 97 ªÑèÇâÁ§á¨Á´¹µÃաѺà¾×è͹áÅйѡ´¹µÃÕ·Õèà»ç¹á¢¡ÃѺàªÔ­ã¹ Yerba Buena Center for the Arts áÅÐä´é¤Ñ´àÍÒºÒ§Êèǹ¨Ò¡ºÑ¹·Ö¡¡ÒÃáÊ´§Ê´¤ÃÑé§¹Ñé¹ÁÒÍÍ¡à»ç¹ÍÑźÑéÁ¤Í¹àÊÔÃì· Work, Work, Work ·ÕèΌà¾Å§ÊÒÁÒö´ÒǹìâËÅ´ä´é¨Ò¡àÇçºä«·ì¢Í§¾Ç¡à¢Ò

ã¹ÊµÔÇ´ÔâÍÍÑźÑéÁ A Chance to Cut Is a Chance to Cure ¾Ç¡à¢Òä´éãªéµÑÇÍÂèÒ§àÊÕ§¨Ò¡áËÅè§·ÕèÁÒ·ÕèËÅÒ¡ËÅÒ ÍÂèÒ§ àÊÕ§¼Á·Õè¶Ù¡µÑ´ ËÃ×ÍáÁéáµèàÊÕ§·Õè¶Ù¡¢ÂÒÂÁÒ¨Ò¡¡Ò÷ӧҹ¢Í§Ãкº»ÃÐÊÒ·ã¹»ÅÒËÁÖ¡ ÃÇÁ·Ñé§àÊÕ§·Õè¶Ù¡ºÑ¹·Ö¡ã¹Ëéͧ¼èҵѴ àÊÕ§·Ñé§ËÁ´¨Ð¶Ù¡¹ÓÁҨѴÇÒ§à¢éÒ´éÇ¡ѹ¨¹¡ÅÒÂÁÒà»ç¹·èǧ·Ó¹Í§ã¹áºº´¹µÃÕ·´ÅͧÍÔàŤâ·Ã¹Ô¤ä´éÍÂèÒ§äÁè¹èÒàª×èÍ   
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I'm a proud snob.
arty
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¡ÃзÙé: 235


« µÍº #1186 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 01:09:18 pm »

ÁÒá¹Ð¹Ó¹ÔµÂÊÒà gm  àÅèÁÅèÒÊØ´ ©ºÑº movie issue  ¨éÒ

ÁÕº·ÊÑÁÀÒɳì¾Õèà¨é  - ͹ѹ´Ò  - ¤Ø³ filmsick  ´éÇÂáËÅР ÍÔÍÔ     
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« µÍº #1187 àÁ×èÍ: ¾ÄÉÀÒ¤Á 21, 2008, 07:14:42 pm »

Jennifer Hudson - Spotlight (NEW Single!!)
http://www.youtube.com/watch?v=aw50xPhFtd4
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« µÍº #1188 àÁ×èÍ: ¾ÄÉÀÒ¤Á 22, 2008, 11:44:23 am »

FAVORITE SONGS

1.GRAVEYARDS – The North Sea
http://www.myspace.com/lenorthsea

ขอบคุณคุณ pc มากค่ะที่แนะนำวงนี้ หลอนสุดๆเลยค่ะ ชอบมากๆ


2.NEIGHBOURACHIE – The Voluptuous Horror of Karen Black
http://www.youtube.com/watch?v=gV7NF8skEAg

I love the music video of NEIGHBOURACHIE.

The Voluptuous Horror of Karen Black is currently participating in Whitney Biennial 2008.
http://whitney.org/www/2008biennial/www/?section=artists
http://whitney.org/www/2008biennial/www/?section=artists&page=artist_karenblack


3.REFLECT – Maor Levi
http://www.youtube.com/watch?v=VgLHEqNzwNw


4.GET YOURSELF TOGETHER – Velocette
http://www.youtube.com/watch?v=LVwoR7WKsdc


FAVORITE SONG LYRICS

THE NIGHT FLIGHT FROM HOUSTON – Laurie Anderson


“It was the night flight from Houston. Almost perfect visibility. You could see the lights from all the little Texas towns far below. And I was sitting next to a fifty-year old woman who had never been on a plane before. And her son had sent her a ticket and said:
— Mom, you've raised ten kids; it's time you got on a plane.


And she was sitting in a window seat staring out and she kept talking about the Big Dipper and that Little Dipper and pointing; and suddenly I realized that she thought we were in outer space looking down at the stars. And I said:


— You know, I think those lights down there are the lights from little towns.”


ตอบคุณ pc



ÍéÒ§¶Ö§
--“และภาพที่ขึ้นตอนที่ผมคลิ๊กฟังเพลงนี้ใน MySpace ซึ่งเป็นภาพของซากตึกหลังจากที่ถูกทุบทิ้ง มันช่วยไม่ได้ที่ผมรู้สึกจุกเหมือนถูกชกเข้าที่ท้อง ที่ๆคนอื่นๆอาจจะมองว่าเป็นแหล่งเสื่อมโทรม เต็มไปด้วยความสกปรก มันอาจจะเป็นพื้นที่ๆเก็บภาพในอดีตของคนหลายๆคนที่เติบโตมาในที่เหล่านั้น เป็นสิ่งที่เหลืออยู่เพียงไม่กี่อย่างที่พวกเขาอาจจะสามารถใช้เชื่อมโยงกับความทรงจำในวัยเยาว์ได้ แม้ว่ามันอาจจะไม่ใช้ความทรงจำที่น่าภาคภูมิใจเท่าใดนัก แต่ความทรงจำเหล่านั้นมันก็เป็นทุกสิ่งทุกอย่างที่พวกเขารู้จักในอดีตของพวกเขา”

อ่านที่คุณ pc เขียนในย่อหน้าข้างบนแล้ว ก็เลยนึกถึงหนังแอนิเมชั่นเรื่อง OBRAS (2004, Hendrik Dusollier, A+) ค่ะ ดิฉันคิดว่าหนังเรื่องนี้ให้อารมณ์คล้ายๆกับสิ่งที่คุณ pc เขียนมา ดูหนังเรื่องนี้ได้ที่
http://www.youtube.com/watch?v=2PUpjEHp0ko


ÍéÒ§¶Ö§
--“หลายคนบอกว่าช่วงหลังสิบสี่ตุลาถึงหกตุลาเป็นช่วงหนึ่งในสังคมไทยที่ผู้คนในยุคนั้นได้มีโอกาสลิ้มรสชาติของเสรีภาพเป็นครั้งแรก”

อ่านที่คุณ pc เขียนตรงนี้แล้ว ก็ทำให้นึกขึ้นมาได้ว่ามีหนังไทยในยุคปี 1974-1976 (พ.ศ. 2517-2519) ที่ดิฉันอยากดูมากมายหลายเรื่องด้วยกัน ได้ยินว่าหนังไทยหลายเรื่องในยุค 2-3 ปีนั้น มีการเปิดกว้างค่อนข้างมากในเรื่องเพศ หนังที่ดิฉันอยากดูในยุคนั้นก็รวมถึงเรื่อง

(ข้อมูลจากหนังสือ พิพิธภัณฑ์หนังไทย ฉบับ ประวัติการณ์ที่สุดของหนังไทย)

1.ช่องว่างระหว่างหัวใจ (1976, ฉลวย ศรีรัตนา)

หนังเรื่องนี้นำแสดงโดยสุริยา ชินพันธ์ ในบทหนุ่มวัยรุ่นที่ถูกครูพละหนุ่ม (มานพ อัศวเทพ) หลอกฟันสวาท


http://www.thaifilmdb.com/th/tt03162


2.ตลาดอารมณ์ (1974, เนรมิต)

นำแสดงโดยอรัญญา นามวงศ์ ในบทของแม่เลี้ยงที่ข่มขืนชายหนุ่มที่เป็นลูกเลี้ยงของตัวเอง

http://www.thaifilmdb.com/th/tt03033


3.วิวาห์เงินผ่อน (1975, พิศาล อัครเศรณี)

หนังเรื่องนี้มีฉากยอดชาย เมฆสุวรรณ เปลือยกาย
http://www.thaifilmdb.com/th/tt03072


4.หัวใจมีตีน (CALL BOY) (1972, ประกอบ แก้วประเสริฐ)

หนังเรื่องนี้นำแสดงโดย ไพโรจน์ ใจสิงห์ในบทผู้ชายขายตัว

http://www.thaifilmdb.com/th/tt02804


5.ผู้ชายขายตัว (1974)

นำแสดงโดยกรุง ศรีวิไล และดามพ์ ดัสกร
http://www.thaifilmdb.com/th/tt02987


6.ผัวเช่า (1974, ฉลวย ศรีรัตนา)
http://www.thaifilmdb.com/th/tt02979


7.ตัณหา (1975, ปัญญา สมสุวรรณ)

นำแสดงโดย เหมยฟ้า, ยอดชาย เมฆสุวรรณ


8.นางสาวมะลิวัลย์ (1975, ปัญญา ลีละศร)

นำแสดงโดยภัทราวดี ศรีไตรรัตน์, มยุรฉัตร เหมือนประสิทธิเวช, ภิญโญ ทองเจือ
http://www.thaifilmdb.com/th/tt03102


9.สตรีที่โลกลืม (1975, ชุติมา สุวรรณรัต)
http://www.thaifilmdb.com/th/tt03064

10.ถนนนี้ชั่ว (1975, ชุติมา สุวรรณรัต)
http://www.thaifilmdb.com/th/tt03977


--พูดถึงการร่วมงานระหว่าง Derek Jarman กับ Ken Russell แล้ว ดิฉันเพิ่งรู้ว่า Derek Jarman เคยทำงานออกแบบละครเวทีเรื่อง THE RAKE’S PROGRESS (1982) ให้กับ Ken Russell ด้วย

This is a quote from the book DEREK JARMAN: A BIOGRAPHY, written by Tony Peake:

“Jarman borrowed from friends, did a fair amount of teaching, sold the occasional painting and undertook some design work, notably in a new collaboration with Ken Russell, who had been asked by the Florentine company Teatro Comunale to direct a production of Stravinsky’s THE RAKE’S PROGRESS as part of the city’s 1982 annual musical festival, the forty-fifth such Maggio Musicale Fiorentino. The venue was the ravishingly pretty Teatro della Pergola; the conductor Riccardo Chailly. Jarman had not been Russell’s first choice as designer (that had been Mike Annals), but Russell was confident Jarman would give him what he wanted: an updating of the Auden-Kallman libretto from eighteenth-century London to the present day.

And indeed he did. Jarman’s visualization of Tom Rakewell’s journey from innocence to depravity and thence to Bedlam, in the couse of which he moves from the country to London and falls prey to the temptations of the plausible but sinister Nick Shadow, could hardly have been more up to the minute. For his arrival on to the London ‘scene’, Rakewell sported a gold suit, sailor cap and T-shirt ‘depicting Mrs Thatcher as a vampire holding a skull’. Shadow finally became ‘a drug dealer in a heavy black leather coat…with his heroin death-kit’. The brothel-keeper, Mother Goose, wore ‘Queen Mother drag’ – a white ballgown, blue satin sash and tiara  --and was accompanied by a chorus in army camouflage gear suggestive of the Falklands War. Ann Truelove, Rakewell’s girlfriend, bore a distinct resemblance to Lady Di. The street outside Rakewell’s London home was peopled by punks and piled high with black plastic refuge bags from the Winter of Discontent.”


ตอบคุณ arty

ขอบคุณมากๆค่ะที่มาแจ้งข่าวเรื่อง GM เล่มใหม่ เมื่อกี้ไปซื้อมาแล้ว เห็นพี่เจ้ยพูดในหนังสือเล่มนี้ว่าชอบหนังเรื่อง IMAGINING OCTOBER (1984, Derek Jarman) ด้วย
http://www.tate.org.uk/britain/exhibitions/lightboxderekjarman/default.shtm

« á¡é䢤ÃÑé§ÊØ´·éÒÂ: ¾ÄÉÀÒ¤Á 22, 2008, 11:47:15 am â´Â MdS » ºÑ¹·Ö¡¡ÒÃà¢éÒ

MOST FAV FILMS OF JUNE 2009 -- THE FEAST (Mimmo Calopresti), PLAYING THE VICTIM (Kirill Serebrennikov), CERTIFIABLY JONATHAN (Jim Pasternak), BLIND PIG WHO WANTS TO FLY (Edwin), CAPTAIN AHAB (Philippe Ramos)
grappa
ÊÁÒªÔ¡¡ÔµµÔÁÈÑ¡´Ôì
*****
¡ÃзÙé: 603



àÇçºä«µì
« µÍº #1189 àÁ×èÍ: ¾ÄÉÀÒ¤Á 22, 2008, 12:04:54 pm »

à¢éÒÁÒ¡ÃÕê´ ÃÒª×èÍ˹ѧä·Â·Õè¤Ø³ Mds ¡ÁÒ
à»ÃÕéÂÇÁÒ¡ÁÒ â´Â੾ÒÐàÃ×èͧáá ¨Óáµèª×èÍ˹ѧä´é äÁèÃÙéàÅÂÇèÒ˹ѧÁѹà¡ÕèÂǡѺÍÐäÃ
˹ѧä·Â¡è͹˹éÒ¹Õé ÅéÓ¨ÃÔ§æ
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ÂҢͺ¡Ñº¤Ãͺ¤ÃÑÇ--¡ÔµµÔ¾Å ÊÃѤ¤Ò¹¹·ì
nanoguy
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*****
¡ÃзÙé: 838



àÇçºä«µì
« µÍº #1190 àÁ×èÍ: ¾ÄÉÀÒ¤Á 22, 2008, 09:12:04 pm »

ÍèÒ¹àÃ×èͧÂèÍáÅéÇ«Õé´¤ÃѺ 555+
áÅéÇ¡çËѹÁÒÁͧ»Ñ¨¨ØºÑ¹.. àÍÔèÁÁÁ...
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MdS
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*****
¡ÃзÙé: 547



àÇçºä«µì
« µÍº #1191 àÁ×èÍ: ¾ÄÉÀÒ¤Á 23, 2008, 01:16:52 pm »

ตอบคุณ grappa + nanoguy

ไม่แน่ใจเหมือนกันว่าหนังไทยเก่าๆเหล่านี้ยังหาดูได้อยู่หรือเปล่า ดิฉันเคยไปรื้อกระบะวีซีดีหนังไทย พบว่าส่วนใหญ่เป็นหนังทศวรรษ 1980 ไม่ค่อยเจอหนังที่เก่ากว่านั้นมากนัก

-----------------------------------------------

THINGS EXPERIENCED IN FEB 2008

A.SHORT FILMS IN “L’EROTISME” DVD
http://celinejulie.blogspot.com/2008/02/imperatrix-cornicula-2007-jerome.html

B.29 THAI SHORT FILMS IN THE CINE-BRATION PROGRAM
http://celinejulie.blogspot.com/2008/02/hope-2008-siwadol-ratee.html

C.FILMS

IN PREFERENTIAL ORDER

1.I-BE AREA (2007, Ryan Trecartin, USA, A+++++++++++++++)
I saw this film at Conference of Birds Gallery.

2.A WANTANEE RETROSPECTIVE (2007, Wantanee Siripattananantakul, A+++++++++++++++)

3.HAVANA: THE NEW ART OF MAKING RUINS (2006, Florian Bochmeyer, Germany, A++++++++++++++)

4.THE MIST (2007, Frank Darabont, A+++++++++++)

5.NOW LET US PRAISE AMERICAN LEFTISTS (2000, Paul Chan, A++++++++++)
I saw this film at Conference of Birds Gallery.

6.OBSERVATION OF THE MONUMENT (2008, Michael Shaowanasai, A++++++++++)

7.THE CHEST TO BEQUEATH (2007, Ly Hoang Ly, Vietnam, A+++++)

8.A SHORT FILM ABOUT THE INDIO NACIONAL (2006, Raya Martin, Philippines, A+++++)

9.LOCOMOTION IN WATER (2005, Hanna Shell, USA, A+++++)
I saw this film at Conference of Birds Gallery.

10.WANDA (1970, Barbara Loden, USA, A+++++)


11.FLAMING CREATURES (1962, Jack Smith, A+)

12.RE: OPERATION (2002, Paul Chan, A+)

13.BAGHDAD IN NO PARTICULAR ORDER (2003, Paul Chan, A+)

14.NO COUNTRY FOR OLD MEN (2007, Joel Coen + Ethan Coen, A+)

15.SLEEPWALK (1986, Sara Driver, USA, A+)
You can read about YOU ARE NOT I (1981, Sara Driver) in the Thai book BOOKVIRUS 1, under the topic Paul Bowles.

You can read about Sara Driver in Jonathan Rosenbaum’s website.
http://www.jonathanrosenbaum.com/?p=7780

16.RIDDLE OF INNOCENCE (1999, Suporn Shoosongdej, 14 min, A+)

17.TULI (2006, Auraeus Solito, Philippines, A+)

18.WESTBOUND (2007, Kubhaer T. Jethwani, Malaysia, A+)

19.NOW PROMISE NOW THREAT (2005, Paul Chan, A+)

20.AQUA KINEMA (2005, Hanna Shell, USA, A+)
http://www.people.fas.harvard.edu/~shell/water.html

21.INTERNET DWELLERS:jswg.dreizehn.xulf (1997, Nam Jun Paik, Germany, 7 min, A+)
This is a video sculpture.

22.THE LAST COMMUNIST (2006, Amir Muhammad, Malaysia, A+)

23.THERE WILL BE BLOOD (2007, Paul Thomas Anderson, A+)

24.ATONEMENT (2007, Joe Wright, A+)

25.ENCHANTED (2007, Kevin Lima, A+)
http://www.imdb.com/title/tt0461770/

26.SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (2007, Tim Burton, A+)
http://www.imdb.com/title/tt0408236/

27.AMERICAN GANGSTER (2007, Ridley Scott, A+)

28.SHOPPING CART BOY (2007, Hou Chi-jan, Taiwan, A+)

29.GHOST-IN-LAW (2008, Tanit Jitnukul, Seree Phongnithi, A+/A)
http://www.imdb.com/title/tt1190885/

30.EMMA’S BLISS (2006, Sven Taddicken, Germany, A+/A)
http://www.imdb.com/title/tt0424992/

31.FORGET (2007, Suchada Sirithanawuddhi, A+/A)

32.NORMAL LOVE (1963, Jack Smith, A)

33.THAI PEOPLE, THAI NATION, BEING A GOOD THAI (2007, Prateep Suthathongthai, 3 min, A)

34.GLEN AND RANDA (1971, Jim McBride, A)

35.UNKNOWN WOMEN (2005, Nguyen Quang Huy, Vietnam, A)

36.OBSERVATION OF THE MONK (2008, Pramote Sangsorn, A)

37.A FRIEND OF MINE (2006, Sebastian Schipper, Germany, A)

38.POOL (2007, Chris Chong Chan Fui, Malaysia, A)

39.WATERFRONT VILLA BONITA (2007, Lou Yi-an, Taiwan, A)

40.QALAM (2007, Hadi Koh, Malaysia, A)

41.A DAY IN THE LIFE (2007, Syed Omar Syed Othman, A)

42.BEING SOLDIER BETTER THAN YOU THOUGHT, RICE FIELD FROM RIPE PROJECT (2008, Sakarin Krue-on, A)
This is a live broadcast from a rice field to let the viewers watch rice grow in real time.

43.MEET MR. DADDY (2007, Park Kwang-su, A-)
http://www.beyondhollywood.com/meet-mr-daddy-aka-shiny-day-2007-movie-review/

44.UNOFFICIAL AMBASSADOR (2005, Joshua Harris, A-)

45.AT FIRST AND LAST MEMORY WITH HONEY-BLOOD (2008, Ruangsak Anuwatwimon, Thailand, B+)
http://www.whitespaceasia.com/gallery/past/jan_feb_08.html#null

46.L: CHANGE THE WORLD (2008, Hideo Nakata, B+)
http://www.imdb.com/title/tt0912597/

47.SKY OF LOVE (2007, Natsuki Imai, B+)
http://www.imdb.com/title/tt1194664/

48.SILK (2007, Francois Girard, B+/B)

49.MUM DEAW (2008, Panitch Sodsee, Petchtai Wongkamlao, Thailand, B)

50.CHOCOLATE (2008, Prachya Pinkaew, Thailand, B-)

51.JUMPER (2008, Doug Liman, B-)
http://www.imdb.com/title/tt0489099/

52.KUNG FU DUNK (2008, Chu Yen-ping, Taiwan, B-)
http://www.imdb.com/title/tt0848538/

53.STREET SURVIVOR (2007, Lin Jing-jie, Taiwan, no grade because the film has no subtitles)


D.STAGE PERFORMANCES

1.WANGNIN FAMILY (A+++++++++++++++)
Directed by Kae Ishimoto + Daisuke Zenzai, performed by Wangnin Bunmei

2.THE RETURN (A++++++++++)
Directed by Baek Kyoung-suk, performed by Theatre Company Nottle

3.A PIECE OF COIN (A+++++)
Directed by Pichet Klunchun, performed by Life Work Dance Company

4.CAT 9 (A+)
Directed by Kittisak Saelor

5.DOG 8 (A+)
Directed by Preechayut Saechang, with a short video

6.CLYTEMNESTRA INVISIBLE (A)
Directed by Antigony Gyra, performed by Kinitiras Dance Spectacle

7.BEING IN OR OUT (A-)
Directed by Alex Cheung, performed by Mobius Strip, with video by Yeh Yin Long

8.BSP08 (A-/B+)
Performed by Bare Stage Project


E.EXHIBITIONS
(I hope I can list the details of these exhibitions later when I have time.)

1.PARADISE ENGINEERING (A+)
Curated by Chattiya Nitpolprasert

2.UNDERLYING (A+)
This is a group exhibition at Tadu Gallery.

3.ARTSPACE GERMANY (A+)

4.OUR LADY OF THE LOW COUNTRIES (A+)
Photos and video by Michael Shaowanasai

5.A SEASON IN REFUGE: NOMADIC MONUMENTS (Joshua Harris, A+)

6.SPIRITUAL SPACES (South East Asian paintings)
Curated by Shireen Naziree

7.PRASONG LUEMUANG 2007
Paintings

8.INDIVIDUAL PLUS EXHIBITION AT SILOM GALLERIA

9.AND…WE BELONG TOGETHER
This is a group exhibition at Hof Art Gallery.

10.THROUGH A GLASS DARKLY (David Ben Ami, paintings)

11.ORNAMENT SHOW AT SILPAKORN UNIVERSITY

12.THE VOICE OF SEASONS (Anupan Pruekpankajee, paintings)


F.FILMS NOT SEEN FOR THE FIRST TIME

BIRTH OF THE SEANEMA (2004, Sasithorn Ariyavicha, A+++++++++++++++)
Seen for the third time.

------------------------------------------

THINGS EXPERIENCED IN JAN 2008
http://celinejulie.blogspot.com/2008/04/things-experienced-in-jan-2008.html
« á¡é䢤ÃÑé§ÊØ´·éÒÂ: ¾ÄÉÀÒ¤Á 24, 2008, 02:45:35 pm â´Â MdS » ºÑ¹·Ö¡¡ÒÃà¢éÒ

MOST FAV FILMS OF JUNE 2009 -- THE FEAST (Mimmo Calopresti), PLAYING THE VICTIM (Kirill Serebrennikov), CERTIFIABLY JONATHAN (Jim Pasternak), BLIND PIG WHO WANTS TO FLY (Edwin), CAPTAIN AHAB (Philippe Ramos)
merveillesxx
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*****
¡ÃзÙé: 3666



àÇçºä«µì
« µÍº #1192 àÁ×èÍ: ¾ÄÉÀÒ¤Á 23, 2008, 03:07:29 pm »

˹ѧ·Õè¾Õè Mds ¡ÁÒ à»ÃÕéÂÇÁÒ¡àÅÂ

à´ÕëÂǨÐÅͧàªÕÂÃìãËéÁÙŹԸÔä·Â¨Ñ´ festival à¡ÕèÂÇ¡ÑºË¹Ñ§ÂØ¤¹Õé 555 (äÁèÃÙéÇèÒ ÁѹÁÕ¿ÔÅìÁ ËÃ×Í á¼è¹ ËŧàËÅ×·ÍÍÂÙèºéÒ§ÁÑéÂ)

áµè»Õ¹Õé´Ù˹ѧ ¤Ø³Ãѵ¹ì à»ÊµÑ¹ÂÕ ä»¡è͹áÅéǡѹ¨éÐ


¾Ù´¶Ö§¾Åç͵áçæ à»ÃÕéÂÇæ áÅéÇ ¹Ö¡¶Ö§ÅФÃàÇ·ÕàÃ×èͧ "ËéͧÊÂͧ µéͧÊÂÔÇ" ¢Í§ ÇѲ¹ªÑ µÃÕà´ªÒ ·Õè¨ÐàÅè¹ã¹à·È¡ÒÅÅФÃÊÑé¹Ë¹éÒ¡Ò¡à»Å×Í µÑé§áµèÇÑ¹ÈØ¡Ãì¹Õéä»

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"ͧ¤ì¡Òû¯ÔÃÙ»¡ÒâèÁ¢×¹áËè§ªÒµÔ (Í.».¡.¢.Ë.ª.) ÁÕÍØ´Á¡Òóì·Õè¨ÐªèÇ¡ѹ¡ÃдѺ¡ÒâèÁ¢×¹ÀÒÂã¹»ÃÐà·È ãËéÁÕÁÒµÃÒ°Ò¹à·Õºà·èÒÊÒ¡Å ¨Ó¹Ç¹ÊÁÒªÔ¡ã¹Í§¤ì¡ÒÃÁÕ·Ñé§ËÁ´Ë¡¤¹ áÅÐà´ç¡ªÒªÑé¹ÁѸÂÁÊÕè ¡çà»ç¹Ë¹Öè§ã¹¹Ñé¹ à´ç¡ÁѸÂÁÁÕ¤ÇÒÁµÑé§ã¨ÍÂèÒ§á¹èÇá¹è·Õè¨Ð·ÓãËé¡ÒâèÁ¢×¹ËÁ´ä»¨Ò¡âš㺹Õé ËÃ×ÍÍÂèÒ§¹éÍ·ÕèÊØ´¡çãËé¡ÒâèÁ¢×¹Å´¹éÍÂŧáÅÐà»ÅÕè¹á»Å§ä»ã¹·ÔÈ·Ò§·Õè´Õ¢Öé¹ áµè..."

ÍèÒ¹à¡ÕèÂǡѺà·È¡ÒÅÅФùÕé ä´é·Õè¹Õè¨éÐ

http://www.pantip.com/cafe/chalermkrung/topic/C6631628/C6631628.html
« á¡é䢤ÃÑé§ÊØ´·éÒÂ: ¾ÄÉÀÒ¤Á 23, 2008, 03:45:36 pm â´Â merveillesxx » ºÑ¹·Ö¡¡ÒÃà¢éÒ

"People change and forget to tell each other." - Lillian Hellman
pc
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¡ÃзÙé: 297


« µÍº #1193 àÁ×èÍ: ¾ÄÉÀÒ¤Á 24, 2008, 11:06:55 am »

¼Áà¾Ôè§à¨Í¤ÅÔ¾¹ÕéàÁ×èÍÊͧÊÒÁ¹Ò·ÕÁÒ¹Õèàͧ¤ÃѺ ´ÙáÅéǵéͧà¢ç¡ËÑǵÑÇàͧáçæÇèÒ µÍ¹¹ÕéÁÕâÍ¡ÒÊ ·ÓäÁäÁèàÍÒ˹ѧàÃ×èͧ¹ÕéÁÒ´Ù


Fellini - City of Women
http://www.youtube.com/watch?v=01nRCiy93SQ&feature=related

scene from The City of Women with Marcello Mastroianni- The orgasms art gallery
ºÑ¹·Ö¡¡ÒÃà¢éÒ

I'm a proud snob.
MdS
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*****
¡ÃзÙé: 547



àÇçºä«µì
« µÍº #1194 àÁ×èÍ: ¾ÄÉÀÒ¤Á 24, 2008, 02:48:48 pm »

Thanks to Brian Darr, I just knew about some films by Bruce Conner available online. Let’s watch them now because I don’t know how long they will continue to be available online.

1.A MOVIE (1958)
http://www.dailymotion.com/video/xp252_bruce-conner-a-movie_creation

2.PERMIAN STRATA (1969)
http://www.dailymotion.com/video/xssb9_permian-strata_creation

3.MONGOLOID (1978)
http://www.youtube.com/watch?v=bxLcZStUCus

4.MEA CULPA (1981)
http://video.aol.com/video-detail/mea-culpa-by-bruce-conner/1927936417
ºÑ¹·Ö¡¡ÒÃà¢éÒ

MOST FAV FILMS OF JUNE 2009 -- THE FEAST (Mimmo Calopresti), PLAYING THE VICTIM (Kirill Serebrennikov), CERTIFIABLY JONATHAN (Jim Pasternak), BLIND PIG WHO WANTS TO FLY (Edwin), CAPTAIN AHAB (Philippe Ramos)
konmongnang
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****
¡ÃзÙé: 374


àÇçºä«µì
« µÍº #1195 àÁ×èÍ: ¾ÄÉÀÒ¤Á 24, 2008, 05:54:26 pm »

º·¤ÇÒÁ¹èÒʹ㨨ҡàÇçºä«µìÈÙ¹ÂìÁÒ¹ØÉÂÇÔ·ÂÒÊÔÃÔ¹¸ÃÎÐ

Culturalism? µÍ¹·Õè 1 (ÇÃó¤´ÕÇÔ¨Òóì¡ÑºÇѲ¹¸ÃÃÁÈÖ¡ÉÒã¹»ÃÐà·ÈÍѧ¡ÄÉ)
http://www.sac.or.th/web2007/article/art_of_rebellion/culturalism1.pdf

Culturalism? µÍ¹·Õè 2 (Leavisian ¡ÅÒ¾ѹ¸Øì: ÎÍ¡¡ÒÃì· áÅÐÇÔÅàÅÕÂÁÊì)
http://www.sac.or.th/web2007/article/art_of_rebellion/culturalism2.pdf

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teelex
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¡ÃзÙé: 111


« µÍº #1196 àÁ×èÍ: ¾ÄÉÀÒ¤Á 25, 2008, 05:10:50 am »

ºÍÃì´¿éÒà´ÕÂǡѹ  ÁÕÇÔÇҷзÕèà»Ô´»ÃÐà´ç¹â´ÂÍÒ¨ÒÃÂìÊÁÈÑ¡´Ôì à¨ÕÂÁ¸ÕÃÊ¡ØÅ  ´ÕÁÒ¡¤ÃѺ  äÁèàÅÐà·ÐàËÁ×͹ºÍÃì´¡ÒÃàÁ×ͧ·ÑèÇä»  ¡ÓÅѧµÔ´µÒÁÍèÒ¹µèÍ

"¶ÒÁ¨ÃÔ§æÇèÒ ¾Ç¡¤Ø³ (â´Â੾ÒФسÈÔâõÁì ¼Ùéà¡è§¡Ò¨ªÒ­©ÅÒ´ÂÍ´àÂÕèÂÁ) ÂѧäÁèÃÙéÊÖ¡µÑÇÇèÒâ§èËÃ×Í ·Õèà¤Â仪èÇÂÊÃéҧʶҹ¡ÒóìãËé ûË. 19 ¡Ñ¹ÂÒ? ...
 
www.sameskybooks.org/board/index.php?showtopic=8368 - 67k -

(¼ÁàÊÔÃìªÍèÒ¹¨Ò¡¡Ùà¡ÔÅ ¤ÃѺ  Âѧá¡éàÃ×èͧ¶Ù¡ºÅçͤäÁèà»ç¹)
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« µÍº #1197 àÁ×èÍ: ¾ÄÉÀÒ¤Á 25, 2008, 03:52:48 pm »

à¾Ôè§ä»´Ù Indy 4 ¨ºÁÒâ´ÂÃÇÁ»ÃзѺã¨ÁÒ¡æ ¼Á¤Ô´ÇèÒ Ê»ÕÅàºÔÃì¡àËÁÒÐàËÅ×Íà¡Ô¹¡ÑºË¹Ñ§áºº¹Õé
ºÑ¹·Ö¡¡ÒÃà¢éÒ

yuttipung.bloggang.com
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« µÍº #1198 àÁ×èÍ: ¾ÄÉÀÒ¤Á 25, 2008, 04:28:04 pm »

à¾ÔèÁÊÑ¡¹Ô´à¡ÕèÂǡѺ Í.ÊÁÈÑ¡´Ôì ¼Áàͧ¡çäÁèä´éµÔ´µÒÁ§Ò¹ÍÒ¨ÒÃÂìÊÑ¡à·èÒäËÃè ÃÙéÊÖ¡´ÕÍÂèÒ§à´ÕÂǤ×ÍÍÒ¨ÒÃÂìà»ç¹¤¹ÁÑ蹤§·Ò§¤ÇÒÁ¤Ô´´Õ áµè¼Á¡ÅѺäÁèàËç¹´éÇ¡Ѻá¹Ç¤Ô´áºº¹ÕéÊÑ¡à·èÒäËÃè
ºÑ¹·Ö¡¡ÒÃà¢éÒ

yuttipung.bloggang.com
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« µÍº #1199 àÁ×èÍ: ¾ÄÉÀÒ¤Á 25, 2008, 05:17:43 pm »

WONG KAR-WAI is all around...




Happy Together (10th Year Anniversary Version)
Venue : DVD Station, BTS Chitlom





Chungking Express aka ¼ÙéË­Ô§¼Á·Í§ ¿Ñ´ËÑÇã¨ãËéâÅ¡µÐÅÖ§!
Venue : House RCA
 

- - - - - - - - - - - - - - -




àÃҨж١»Å¡¤Ãͧâ´Â½Ù§Áѹ¹ÔÃѹ´Ãìä» (2008, Vasan Sitthiket, A+++++++++++++)
« á¡é䢤ÃÑé§ÊØ´·éÒÂ: ¾ÄÉÀÒ¤Á 25, 2008, 07:46:44 pm â´Â merveillesxx » ºÑ¹·Ö¡¡ÒÃà¢éÒ

"People change and forget to tell each other." - Lillian Hellman
˹éÒ: 1 ... 38 39 [40] 41 42 ... 83
  ¾ÔÁ¾ì  
 
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